Śaraṇaṃ

Supported by

• “Brief but very intriguing, Śaraṇaṃ paints an attractive picture built on the rubab and other traditional sounds of the East. These fine instrumental compositions have the weight of history within them, with new life added through a modern interpretation.”

  — Michael Reilly · favourite track: Ghazni (Avidyā)

• “Truly mesmerising album which is going to send you on a trip.”

  — tentaclequing 🐙 · favourite track: Ghazni (Avidyā)

• “The latest release from this Australian act draws upon the Central Asian folk-meets-progressive metal flavors of their last release and hones them even more. Here, much of the focus is on an Afghan instrument, the rubab. Full review here: https://theeliteextremophile.com/2023/12/18/odds-ends-december-18-2023/”

  — TheEliteExtremophile

• “A truly mesmerising journey along the silk road that will simultaneously have you lost in the mountains as you find yourself within. Superb musicianship, genre defying and leaving you hanging for more.”

  — Maarten de Weerd · favourite track: Ghazni (Avidyā)